![]() MiniKeePass Copyright 2011 Jason Rush and John Flanagan. ![]() HNHUi Copyright 2012 HicknHack Software GmbH. KeePassKit Copyright 2012 HicknHack Software GmbH. This Project is based upon the following work: Please open an issue if you think someone is missing from this list! Art The following list might not be complete, please refer to merged Pull Requests on GitHub for more details. App Storeĭue to being licensed under GPLv3 it's not possible to publish a version of MacPass on the App Store.įor further details, take a look at the explanation of the Free Software Foundation. You should have received a copy of the GNU General Public LicenseĪlong with this program. GNU General Public License for more details. MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. This program is distributed in the hope that it will be useful,īut WITHOUT ANY WARRANTY without even the implied warranty of The Free Software Foundation, either version 3 of the License, or It under the terms of the GNU General Public License as published by This program is free software: you can redistribute it and/or modify MacPass, a KeePass compatible Password Manager for OS XĬopyright (c) 2012-2017 Michael Starke (HicknHack Software GmbH) and all MacPass contributors Since it's browser based you can pretty much run it anywhere. More Screenshots in the Wiki Alternatives The Status can be found on the dedicated Wiki page. MacPass 0.7 requires macOS 10.10 Yosemite or later.Įarlier versions of MacPass require macOS 10.8 Mountain Lion or later. Or follow the Twitter account System Requirement Some questions might be answered in the FAQĪnother place to look is the IRC channel #macpass on The post ‘Causeway’ Review: Companions on a Hard Road to Recovery appeared first on New York Times.Xcodebuild -scheme MacPass -target MacPass -configuration Release CODE_SIGNING_REQUIRED=NO NO_SPARKLE=NO_SPARKLE The burden of making it credible falls disproportionately on Henry and Lawrence, superb actors who do what they can to bring the script’s static and fuzzy ideas about pain, alienation and the need for connection to something that almost resembles life. “Causeway” is both thin and heavy-handed, its plot overly diagramed and its characters inadequately fleshed out. The bond that develops between them - and the ways that it is, inevitably, tested - is rooted in shared trauma, which is to say in a screenwriting conceit. The symmetry of their physical and psychological wounds is perhaps too neatly arranged. Lynsey is also haunted by the loss of a family member. James has lost part of a leg in a car crash that killed someone he loved. But having brought them together, the movie isn’t quite sure what to do with them. Hanging out this way is a pleasant respite from the stresses and struggles of existence - for James and Lynsey, and for the audience too. Lynsey takes a job cleaning swimming pools, and she and James spend off-hours drinking beer, smoking weed and floating around at the homes of clients who are conveniently out of town. Recognizing each other as fellow loners - and also, perhaps unconsciously, as fellow sufferers - James and Lynsey start hanging out together. Henry plays James, who owns the repair shop where Lynsey brings her balky old pickup truck. The satisfactions of “Causeway,” Neugebauer’s debut feature (the script is by Elizabeth Sanders, Luke Goebel and Ottessa Moshfegh), come from watching Lawrence and her co-star, Brian Tyree Henry, trading quiet, insightful bits of acting. Lynsey is tough, solitary and self-sufficient, attributes Lawrence has shown before - notably in the “Hunger Games” movies and in her breakthrough film, “Winter’s Bone” - but rarely in such a low-key, non-heroic mode. She pressures her doctor (Stephen McKinley Henderson) to clear her for redeployment. Returning home to New Orleans, she moves in with her mother (Linda Emond), who is too preoccupied with other matters to pay much attention to her daughter. Lynsey emerges from a state of anxious blankness, recovering language, memory, physical coordination and the contours of her personality. Lawrence, somber and subdued, gradually coaxes her character into view. An Army engineer who suffered a traumatic brain injury in Afghanistan, Lynsey - with the help of a patient health aide (Jayne Houdyshell) - must relearn the basic functions of daily life, and teach her body to work again. The early scenes in Lila Neugebauer’s “Causeway” find Lynsey (Jennifer Lawrence) in the first phase of a long healing process.
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